Mimkomcha Chords Carlebach Key of C and Key of A (and A as C with a capo on the 2nd fret)

Key of C 

If you put the capo on the second fret it will be in the Key of A so G becomes A, C becomes D etc… this is referred to as the CAGED system, but only if you want to understand some basic music theory, if not just put the capo on the second fret, and you are in the key of A using the same chord shapes as below. Happy Strumming! 

GMimkomcha oy mimkomchaC       GOy malkeinuC   GSofiaEm     D          COy visimloch aleinuC     GKi michakim AmVisimlochGAleinuG   C      GKi-i-i michakimC    G     D      GA–nach–nu lachGMa-a-a-asaiG          DMa-a-a-asaiEm          D        GMasai timloch bitzionGBika-a-a-arov DBiyameinuC       G         D      GLi’olam va’ed tishkonG     C     G       C           GTi-i-i-isgadel visiskadeshC                                     GBisoch yerushalayim irchaGLido-o-o-or D             GVa-a-a-adorG             DUlineitzach C        G     D     DNitza-a-a-chimG          C          GVi’eineinu sir’enaEm D D CSi-ir-e-naC               GMalchusechaG          C          GKadavar ha’amurG       D7     G       DAy bishirei uzechaG      DAl yidei D      GDovid G      DMishi’achC      G     D    GTzid-ke-e-cha

In the Key of A

Key of AAMimkomcha oy mimkomchaD       AOy malkeinuD     ASofiaFm       E           DOy visimloch aleinuD        AKi michakim BmVisimlochAAleinuA    D       AKi-i-i michakimD     A       E      AA–nach–nu lachAMa-a-a-asaiA               EMa-a-a-asaiFm         E              AMasai timloch bitzionABika-a-a-arov EBiyameinuD       A        E         ALi’olam va’ed tishkonA      D       A     D            ATi-i-i-isgadel visiskadeshD                                        ABisoch yerushalayim irchaALido-o-o-or E                 AVa-a-a-adorA                EUlineitzach D     A     E       ENitza-a-a-chimA          D         AVi’eineinu sir’enaFm  E E   DSi-ir-e-naD                 AMalchusechaA      D           AKadavar ha’amurA       D        A          EAy bishirei uzechaA     EAl yidei E      ADovid A       EMishi’achD    A     E     ATzid-ke-e-cha

Some music theory if you want to transpose it to any other key!

This has a slightly more complex chord progression the song utilizes the 1, 4, 1 (A, D, A)progression to start then moves and switches between 1, 5, 1 (A, E, A) and segways with a beautiful 6, 5, 4 (Fm, E, D) and the use of the 2 (Bm) in the beginning part connects them all.